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Nicolas Poussin : Sainte Françoise Romaine annonçant à Rome la fin de la peste
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ISBN: 2711841863 Year: 2001 Volume: 17 Publisher: Paris Réunion des musées nationaux Service culturel du Musée du Louvre


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Post-Biblical saints art index : a locator of paintings, sculptures, mosaics, icons, frescoes, manuscript illuminations, sketches, woodcuts, and engravings, created from the 4th century to 1950, with a directory of the Institutions holding them
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ISBN: 0899509428 9780899509426 Year: 1994 Publisher: Jefferson, N. C. ; London McFarland


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Vrouwen in de bijbel.
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ISBN: 9061528178 Year: 1993 Publisher: Leuven Davidsfonds

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Dit magistrale kijk-leesboek toont hoe artiesten van over de hele wereld zich lieten inspireren door deze verhalen van alle tijden : van Titiaan tot Thomas Mann, van Van Dijck tot Oscar Wilde, van Vondel tot Händel, van Shakespeare tot Chagall.


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Saintly brides and bridegrooms : the mystic marriage in Northern Renaissance art
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ISBN: 9781905375875 1905375875 Year: 2012 Volume: 70 Publisher: London Turnhout Harvey Miller Harvey Miller Publishers

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Building upon recent scholarly interest in mystics and mysticism in late medieval Europe, this book explores the visual representation of female and male saints depicted as brides or bridegrooms of Christ in northern European art from 1300 to 1550. The mystic marriage imagery of St. Catherine of Alexandria, St. Agnes of Rome, St. John the Evangelist, St. Bernard of Clairvaux, and the Blessed Henry Suso is studied through an analysis of a wide range of paintings, illuminated manuscripts, prints, and sculpture. From these case studies, Muir argues that different visual conventions were used in the art of this period to portray the male and female experiences of mystic marriage and suggests possible reasons for these differences. She further considers why comparatively few mystics were visually portrayed in a mystic marriage with Christ, despite the large number recorded as having had that experience. Providing insights into the meanings of the mystical experience when portrayed in visual terms, this book will appeal to art historians as well as to other medievalists with an interest in the intersections of art, religion, and gender.

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